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Jackson had considered recording with then-current rock musicians for Dangerous, including Guns N' Roses, whom he met on tour. Jackson also considered taking out a full-page ad in a major newspaper to promote the record.[15] Dangerous was recorded at Ocean Way, Jackson's home studio in Encino, and Gold Mountain, a recording studio owned by Jackson's friend and former business partner, Alan Pott, in Calabasas, California. Jackson then made several recording sessions at Chalice Recording Studios in Los Angeles with his regular collaborators, the Beach Boys' Brian Wilson and Jack Nitzsche.[16] Although Jackson was asked to do early demos of the album's material, he refused because he felt that the demos were too different from the final album.[17] The Beach Boys engineered the demos but had no input on the final album.[18] Jackson invited the Beach Boys' longtime drummer Dennis Wilson and keyboardist Greg Phillinganes to be present at the final sessions, but both declined.[19]
The main difference between Bad and Dangerous is that this album focuses more on the ballads, leaving the previously recognized aggressive, rock-oriented side of Jackson's music that he showcased in Bad.[20] In addition, Jackson's over-the-top dance moves, like his moonwalk, were made more subtle on Dangerous than they were on Bad. The album is also seen as a step away from the jump-up, funky style of the Bad album, replacing it with a smoother new jack swing style. Dangerous was the first album by Jackson since Forever, Michael (1975) not to be produced by Quincy Jones, though his production credits are still sprinkled throughout the album.
The album debuted at the top of the Billboard 200, selling 1,181,000 copies in its first week of release. By the end of 1991, Jackson sold over 6 million albums in the U.S.[21] Dangerous was eventually certified eight times platinum by the Recording Industry Association of America and is the second best-selling album in the U.S. behind the Beatles' catalogue. It has sold over 20 million copies worldwide.
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